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Brave – the first Pixar princess
Jun 21, 2012, 9:25 AM | Updated: 10:55 am

![]() “Brave” suffers a bit |
Disney animation has a long storied line of princesses,
but Pixar, now a part of Disney, hadn’t gone down that
route … until now, with “Brave.”
“Brave” tells the tale of a young Scottish princess,
Merida, who’d rather be a tomboy than a dutiful daughter
and prospective wife. This naturally puts her into
conflict with her mother, the Queen.
This family battle comes to a head early in the movie,
during an archery contest. First prize, the hand of our
heroine, Merida. She’ll have nothing of it and secretly
enters herself into the contest and, of course, she wins.
She also earns her mother’s severe disapproval.
All of this only sets the stage for the bulk of the
movie, which
involves a daughter’s wish, a witch’s curse, and a
mother’s literal transformation.
Like almost all of the Pixar films, but especially the
Toy Stories, “Wall-E,” and “Up,” “Brave” has an emotional
center that rings very true. This movie is great at
capturing the mother-daughter dynamic, that complex love-
hate-love bond that’s unlike any other.
Its resolution at film’s end is emotional in the same
way that the Toy Story 3 finale or the photo album
sequence in Up is. It’s what Pixar does best.
Where “Brave” falls down a bit is in the peripheral
storytelling. In the best Pixar films, the supporting
characters are as richly and lovingly drawn as the leads –
“Toy Story” is so much more than Woody, and “Finding Nemo”
is more than just Nemo – but outside of Merida and the
queen, “Brave” doesn’t have too much more to offer. The
King is a very loud and broad creature and Merida’s three
suitors are all ridiculous in rather uninteresting ways.
“Brave” suffers a bit from too narrow a focus. It’s
great on the essentials but shortchanges the little stuff.
There’s nothing more worthy of dramatic exploration than
the intense mother-daughter dynamic. It’s just that
“Brave” needn’t have excluded so much of the rest of the
world in the process, did it?
